Gaza researchers determined to record Nakba generation before time runs out

28th October 2013 | The Electronic Intifada, Joe Catron | Gaza City, Occupied Palestine

Recording the testimony of Nakba survivors is essential for educating future generations of Palestinians, say oral historians. (APA images)
Recording the testimony of Nakba survivors is essential for educating future generations of Palestinians, say oral historians. (APA images)

Tucked into a quiet basement suite in the main building of the immaculate Islamic University of Gaza campus, the Oral History Center could at first be mistaken for a bursar or registrar’s office.

But its stacks of metal filing cabinets may contain more memories per square meter than any other place in the occupied Gaza Strip.

Researcher Nermin Habib said that the center conducted interviews with those who had witnessed the Nakba (Arabic for catastrophe), the ethnic cleansing ahead of Israel’s foundation in 1948, as well as the Naksa (setback), Israel’s occupation of the West Bank, Gaza, Golan Heights and Sinai in 1967.

“We have already conducted 1,500 oral interviews and archived audio files from them,” Habib added. “A meeting can last anywhere from half an hour, to two or three hours. We can also have follow-up meetings.

“We have also published 120 [interviews] in written form. In the future, we plan video interviews. We hope to use them to produce a documentary film about the history of Palestine.”

Launched as part of the university’s faculty of arts in 1998, the Oral History Center has a staff of experienced field researchers and recent graduates from the university’s departments of history, press and media, and social studies.

“Building from scratch”

Its work with first-generation Palestinian refugees begins with finding them.

“It is by experience, by relationships,” said Habib. “We built the archive from scratch. There is no systematic reference center for such information in Gaza.”

The Oral History Center researches a number of fields. Beyond displacement and refugee life, it has programs on Palestinian regions, folklore, politics and culture, as well as Israeli violations of Palestinian rights.

“We are trying our best to maintain our Palestinian identity and Palestinian heritage, customs and traditions, like food and dress, after the Nakba,” said Habib. “Oral history has links with all fields of knowledge, like folk medicine. It’s part of our work as historical researchers to convey this information.

“We seek to document the history of the Palestinian people and the main events that have shaped the Palestinian cause.”

The Gaza Strip has the highest proportion of refugees of any territory in the world. Few aspects of life, from the economy and politics, to the broad range of local foods and dialects from elsewhere in Palestine, are unaffected by the Nakba, during which approximately 750,000 Palestinians were displaced by Zionist forces and hundreds of villages and cities depopulated.

By the beginning of 2013, the UN agency for Palestine refugees, UNRWA, had registered more than 1.2 million refugees in Gaza, out of a total population of nearly 1.7 million.

The Israeli army expelled 400,000 to 450,000 more Palestinians during the Naksa in 1967, according to the Palestinian refugee advocacy group BADIL.

By the end of 2011, at least 7.4 million Palestinians had been displaced, 66 percent of a global Palestinian population of 11.2 million, making them the world’s largest and longest-standing group of refugees, according to a recent survey by BADIL.

Israel’s displacement of Palestinians continues through policies like forcible transfer of released political prisoners, house demolitions, revocations of East Jerusalemresidencies, and the Prawer Plan, a measure proposed in Israel’s parliament, the Knesset, that would expel 40,000 Palestinian Bedouins from their homes in the Naqab (Negev) region.

A generation “leaving us”

But with the 1948 ethnic cleansing more than 65 years in the past, the ranks of those who witnessed it firsthand, in the Gaza Strip and elsewhere, are quickly declining.

“We started thinking about how the generation that survived the Nakba are leaving us,” said Haidar Eid of the Oral History Project, another effort to collect accounts of 1948.

The project team has recorded 64 hours of interviews, Eid said. Time to complete the rest is running out.

“Most of these people are dying. For the project, they are supposed to have been at least ten when the Nakba happened. So we are talking about people in their seventies and eighties.”

Eid, an assistant professor of English literature at Gaza’s al-Aqsa University, is aPalestinian Campaign for the Academic and Cultural Boycott of Israel (PACBI) steering committee member.

“No compromise”

“One of the major demands of the boycott, divestment and sanctions movement is the implementation of United Nations Resolution 194, which clearly calls for the return of all Palestinian refugees to the lands, villages and towns from which they were ethnically cleansed in 1948 and their compensation,” Eid said. “With the Oral History Project, we are supporting this demand and making it real. We move from ethnic cleansing as an abstract term into the practicality, the life itself.

“An interesting question we sometimes ask is whether they would accept any solution that would compromise their right of return. There is a consensus among all the refugees we’ve interviewed that no compromise on the right of return would be accepted. For them, that is not a solution.”

Gaza’s Oral History Project works in cooperation with Palestine Remembered, an online archive of information on the ethnic cleansing of Palestine, and the Israeli organization Zochrot, which advocates the return of Palestinian refugees. Eid called this “a form of co-resistance” as opposed to projects which normalize Israel’s ethnic cleansing and occupation of Palestine.

“The onslaught of normalization projects has taken place at the expense of two-thirds of the Palestinian people who are refugees,” he added, drawing a distinction with other kinds of cooperation between Palestinians and Israelis. “1948 is the original sin, rather than 1967, on which these projects are all based.”

Young volunteers conduct most of the Oral History Project’s interviews. Many belong to the Palestinian Students’ Campaign for the Academic Boycott of Israel, PACBI’s youth affiliate.

“Revisiting the trauma”

“It’s tiring, I must tell you,” Eid said. “I have been avoiding recording with people myself, because it’s extremely difficult. Revisiting the trauma is not easy. But they would be very happy to talk about everything before 1948.”

Oral History Project interviews consist of three sections: Palestine before 1948, its ethnic cleansing and refugee life.

“We ask about mundane things, the daily life of people in the village or city, weddings, funerals and coffee shops,” Eid said. “We ask if the people still have a thobe [a traditional garment] or anything from the village. They usually love it.

“When they come closer to the moment of truth, when the person was forced from their village, it’s heartbreaking. Many start crying. They can give you minute details about the strangest things.”

Accounts can be not only emotional, but brutal as well. “Those Palestinians who refused to leave Palestine were basically massacred,” Eid said.

“This is the embodiment of the Zionist dream of creating a state with a Jewish majority. To guarantee that, you need to have a process of either ethnic cleansing or genocide.”

A refugee himself, Eid cited his own background to illustrate the importance of oral history to the Palestinian narrative.

“I’m from a village called Zarnuga, which is on the outskirts of Ramle [in present-day Israel],” he said. “I found only three pictures of Zarnuga. Only three.”

“The history of the Tantura massacre relies heavily on oral history. Now people know that a massacre took place in the Tantura village, about 30 meters south of Haifa, based on recorded oral history,” Eid added.

Oral history also has an important role in the continuity of Palestinian culture. “This work has a lot of benefit for new Palestinian generations,” said Nermid Habib. “It allows them to know that what their grandparents were doing,”

Israel “trying to whitewash”

On 12 August, a number of Palestine solidarity groups issued an open letter protesting an international conference on oral history planned by the Hebrew University of Jerusalem for June 2014, calling for oral historians to boycott it.

PACBI endorsed the letter, and Eid and more than 350 others working in the field of oral history have signed it.

“Israel is trying to whitewash and beautify its image,” Eid said. “One of the questions that we want to raise here in Palestine, as academics and also as refugees, is whether the Nakba will be part of the conference, whether the ethnic cleansing of Palestinians in 1948 will be addressed. I think this is a rhetorical question, the answer to which we know.”

Participation in the conference by oral historians from the Gaza Strip is out of the question. Most Palestinians are banned from entering present-day Israel. The 1954 Prevention of Infiltration Law even criminalizes the presence of Palestinian refugees in Israel.

But through these longstanding exclusions, Israel may inadvertently highlight the relevance of the work on refugees, as well as the darker elements of its history and society.

“The Zionist narrative has been the recognized narrative in the West,” Eid said. “Before 1948, there was nothing. There was a gap between 1948 and 2,000 years before that.

“We are helping to provide an alternative to it. It’s part of what we call the counter-narrative.”

“The stories of the old are more confident than the history books,” Habib said. “They witnessed the events themselves. There are written histories as well. It’s essential to add a new kind of reference.”

Joe Catron is a US activist in Gaza, Palestine. He co-edited The Prisoners’ Diaries: Palestinian Voices from the Israeli Gulag, an anthology of accounts by detainees freed in the 2011 prisoner exchange. He blogs at joecatron.wordpress.com and tweets @jncatron.

Official Release: “The New Black” by The Mavrix

13 March 2012 | Palestine Solidarity Alliance and PACBI

In a first ever musical collaboration between South Africa and Palestine, South African band, The Mavrix, and Palestinian Oud player, Mohammed Omar, have released a music video called “The New Black”. The song is taken from The Mavrix’ upcoming album,”Pura Vida”, due for release in June 2012.

Written and composed by Jeremy Karodia and Ayub Mayet, the song was a musical reaction to the horror of the Gaza Massacre of 2008/2009 and then subsequently inspired by the book “Mornings in Jenin”, authored by Susan Abulhawa. Mayet had penned the first lyrics in 2009 after the Massacre and the song went into musical hibernation. Having read the novel, “Mornings in Jenin”, he then re-wrote the lyrics and the song evolved into its current version.

Haidar Eid, a Gaza based BDS activist and friend of the band, heard the song in 2011 and urged the band to do a collaboration with Palestinian Oud player, Mohamed Omar. He also suggested that the band do a video highlighting the collaboration between South African and Palestinian musicians and also the similarities in the two struggles.

The song was recorded by The Mavrix in South Africa whilst Mohamed recorded the Oud in Gaza and, although never having had the opportunity to meet, the musical interplay between the musicians so far apart illustrates the empathy the musicians feel in solidarity with each other.

Produced by The Palestinian Solidarity Alliance (South Africa) and the Palestinian Campaign for the Academic and Cultural Boycott of Israel (PACBI) along with written endorsements from Haidar Eid of PACBI, Omar Barghouti of the BDS Movement, Ali Abunimah of Electronic Intifada and Susan Abulhawa, author of “Mornings in Jenin”, the song represents a message of support from South Africans, who having transgressed and crossed over their own oppression under apartheid, stand in solidarity with Palestinians who are currently experiencing their own oppression under Israeli apartheid.

The video will be launched on the 12 March 2012 at 2.30pm SA time from Gaza at the start of Israeli Apartheid Week Palestine and will be on youtube following the official launch.

In addition to the digital upload, the PSA will be handing out hardcopies of the DVD as well.

Connect with the Palestinian Students’ Campaign for Academic Boycott of Israel (PSCABI)

23 January 2012 | US Campaign for the Academic and Cultural Boycott of Israel

A collective of students in Gaza has formed the Palestinian Students’ Campaign for the Academic Boycott of Israel (PSCABI). These students are seeking to expand their collaboration and participation in events and activities with solidarity activists at international universities.

PSCABI members participate in many activities here in Gaza and are heavily involved in supporting the international student solidarity movements, especially with the Boycott, Divestment, and Sanctions campaigns. PSCABI members frequently write letters out of Gaza, some of which we have listed below, encouraging people to participate in the boycott and thanking people who have supported the Palestinian cause.

PSCABI members are available to share ideas, participate via Skype or other technology in remote events, organize and strategize together, hear about your activities and provide information and narratives as Palestinian university students for your distribution, and provide access to voices speaking directly from besieged Gaza.

If you are interested in:

  • communicating with PSCABI
  • hosting a Skype conference with a PSCABI member
  • developing your organization’s relationship with PSCABI

please contact us at pscabi@usacbi.org.

Past Letters from PSCABI:

Don’t be complicit in Israel’s apartheid: boycott the 2010 Tel Aviv International Student Film Festival

A Joint Statement by PACBI and PSCABI

The Palestinian Campaign for the Academic and Cultural Boycott of Israel (PACBI) and the Palestinian Students‘ Campaign for the Academic Boycott of Israel (PSCABI) call on students, lecturers and film-makers to boycott the 13th International Student Film Festival, scheduled for June 2010 in the city of Tel Aviv. PACBI and PSCABI believe that this festival, as with similar cultural initiatives supported by the Israeli government, is openly designed to whitewash the crimes of Israeli apartheid.

Festival organizers have highlighted the aim of the festival, noting that it is “a unique cultural and social means to presenting a different Israel to the world, [an] Israel which supports and invests in pluralism, culture and equal opportunity.” This language reveals – as did similar endeavors by the South African Apartheid regime – a cynical and systematic attempt at manipulating world opinion. It aims to obfuscate the real nature of Israeli military occupation and apartheid, and to divert attention from its ongoing war crimes by portraying Israel as a vibrant, cultural and artistic hub. It is for this reason that the festival is heavily funded and supported by the Israeli government.

In 2009, this policy of using culture to whitewash Israeli violations of international law was openly confirmed by the Israeli government with the launch of a global ‘Brand Israel’ campaign. According to an Israeli Foreign Ministry spokesperson, the objective of this rebranding campaign, which “could include organizing film festivals” is to convey the message that “a better image for Israel and a better performance of that image is part and parcel [of] Israel‘s national security. Contrary to popular belief, national security is not just based on military power, it‘s also a strong economy and a strong image.”

This attempt to create a ‘better image for Israel’ through film, dance, music and literary events is all the more horrendous given the bloody military assault conducted in 2009 against the occupied Gaza Strip which left over 1,440 Palestinians dead, of whom 431 were children, and 5380 injured. The 1.5 million Palestinians in the besieged Gaza Strip, the overwhelming majority of whom are refugees who were expelled from their homes by Zionist forces in 1948, were subjected to three weeks of relentless Israeli state terror, whereby Israeli warplanes systematically targeted civilian areas, reducing whole neighborhoods and vital civilian infrastructure to rubble and partially destroying Gaza’s leading university and scores of schools, including several run by the UN, where civilians were taking shelter. A UN Fact Finding Mission headed by the prominent South African judge, Richard Goldstone, accused Israel of deliberately and indiscriminately targeting civilians and civilian infrastructure and committing war crimes in this war of aggression.

The orders for this assault came from Tel Aviv, a place the festival organizers hope to honour as “the city that never sleeps – an even more turbulent, energetic and lively place. Could we ask for a warmer home for a Festival dedicated to young artists, to young art?” Moreover, this offensive hubris ignores the fact that the city itself is built on the remains of the homes of Palestinian refugees expelled in 1948, and to which any Palestinian ‘young artist’ from Gaza or the West Bank, let alone from the large Palestinian refugee community in exile, is barred from visiting.

Today, the siege on Gaza continues, and the festival organizers are apparently oblivious to these war crimes – preferring to pretend that a festival supported by the Israeli government can “bridg[e] cultural gaps and develop tolerance through cinema”.

It should be noted that in the lead up to the previous Tel Aviv festival in 2008, the renowned French film-maker Jean-Luc Godard canceled his participation following PACBI’s request to boycott the event. He had been due to participate as an honorary guest and to hold master classes with Israeli film students.[vi]

Because of the Festival’s open ties with the Israeli state, and its clear aim to normalize Israeli apartheid and whitewash Israel‘s persistent violations of international law and human rights in the minds of filmmakers, students and other cultural workers, PACBI and PSCABI view any participation in this event as a form of immoral complicity and call for a its complete boycott. We urge filmmakers, lectures and students to heed the Palestinian civil society call for a boycott of Israel and its complicit institutions, as they did in the struggle against apartheid in South Africa. This is the bare minimal form of solidarity that we expect from any people of conscience around the world to support our struggle for freedom, justice and a meaningful peace in our region.

Open letter to Bono: entertaining apartheid Israel…U 2 Bono?

Palestinian Campaign for the Academic and Cultural Boycott of Israel (PACBI)

13 January 2010

Dear Bono,

The Palestinian Campaign for the Academic and Cultural Boycott of Israel (PACBI) was deeply disturbed to learn that that you are scheduled to perform in Israel this coming summer. Two years ago, you were invited by Israeli President Shimon Peres to attend a conference in Israel marking Israel‘s contributions to medicine, science, and conservation; we urged you then, as a prominent activist on issues of global inequality and a campaigner for basic human rights, to say no to Israel, especially since the invitation coincided with celebrations marking the 60th anniversary of the founding of the state.[1] You did not go to Israel then; we call on you now not to grant legitimacy to a state that practices the most pernicious form of colonialism and apartheid.

Performing in Israel would violate the almost unanimously endorsed Palestinian civil society Call for Boycotts, Divestments, and Sanctions (BDS) against Israel.[2] This Call is directed particularly towards international activists, artists, and academics of conscience, such as yourself. Moreover, it would come a year and a half after Israel’s bloody military assault against the occupied Gaza Strip which left over 1,440 Palestinians dead, of whom 431 were children, and 5380 injured.[3] The 1.5 million Palestinians in the besieged Gaza Strip, the overwhelming majority of whom are refugees who were expelled from their homes by Zionist forces in 1948,[4] were subjected to three weeks of relentless Israeli state terror, whereby Israeli warplanes systematically targeted civilian areas, reducing whole neighborhoods and vital civilian infrastructure to rubble and partially destroying Gaza’s leading university and scores of schools, including several run by the UN, where civilians were taking shelter.

This criminal assault comes after three years of an ongoing, illegal, crippling Israeli siege of Gaza which has shattered all spheres of life, prompting the UN Special Rapporteur for Human Rights, Richard Falk, to describe it as “a prelude to genocide”. The UN Fact-Finding Mission on the Gaza Conflict, headed by the highly respected South African judge, Richard Goldstone, found Israel guilty of war crimes and possible crimes against humanity, as did major international human rights organizations, such as Amnesty International and Human Rights Watch. The Goldstone report concluded that Israel’s war on Gaza was “designed to punish, humiliate and terrorize a civilian population, radically diminish its local economic capacity both to work and to provide for itself, and to force upon it an ever increasing sense of dependency and vulnerability.”[5]

In a recent New York Times op-ed[6], you wrote of your hope “that the regimes in North Korea, Myanmar and elsewhere are taking note of the trouble an aroused citizenry can give to tyrants.” You went on to further elaborate on the hope that “people in places filled with rage and despair, places like the Palestinian territories, will in the days ahead find among them their Gandhi, their King, their Aung San Suu Kyi.” Rather than shifting the blame from the violence of the colonial oppressor to the resistance of the indigenous oppressed and characterizing the Palestinians as a population filled with “rage and despair,” it is more apt to consider them among the “aroused citizenry” responding to tyranny – Israel‘s regime of occupation and apartheid.

As to your hope that the Palestinians will soon find their own leading figure to champion nonviolent resistance, the Palestinian civil society Call for Boycotts, Divestments, and Sanctions against Israel is one of the largest nonviolent, morally consistent movements for ending Israel’s system of apartheid and colonial oppression. It is endorsed by a majority of Palestinian civil society. As a leading artist who is concerned about human rights, it is your moral obligation to honor this call and not to cross our “picket line.”

A whole generation was affected by your musical activism, when you sang of the civil rights movement in America, the everyday human heroes in El Salvador and the brave struggles in Ireland – you filled a space that forced political morality into pop culture. Entertaining apartheid Israel despite all the injustice it is committing against the Palestinians would significantly smear this great legacy of yours.

Through systematic repression and incarceration of human rights defenders without due process, Israel has made sure that those Palestinian “Gandhis” and “Kings” do not rise to prominence. Activists such as Mohammed Othman, Abdallah Abu Rahma, and Jamal Jum’a, to mention only a few recent examples, have been imprisoned without charge or trial, a practice that has been harshly condemned by Amnesty International.[7] Historically, successive Israeli governments went even further in suppressing civil and popular resistance: one of Yitzhak Rabin’s strategies in the First Intifada, for instance, was to “break the bones” of young Palestinian protestors, often “preemptively;” more recently, Israeli military forces have brutally dispersed weekly nonviolent Palestinian protests against Israel’s Wall—which was declared illegal by the International Court of Justice in 2004—by firing rubber bullets, teargas canisters, and sometimes live ammunition onto protestors. Such methods have resulted in the injury of hundreds of peaceful protesters, including some internationals and Israelis, as well as the death of several Palestinian civilians and American human rights activist, Tristan Anderson.

Your appearance in Israel would lend to its well-oiled campaign to whitewash all the above grave violations of international law and basic human rights through “re-branding” itself as a liberal nation enjoying membership in the Western club of democracies. Above everything else, it would serve to deflect attention away from Israel‘s three forms of oppression against the Palestinian people: the legalized and institutionalized system of racial discrimination against the Palestinian citizens of Israel; the military occupation of the West Bank and the Gaza Strip; and the continuous denial of the Palestinian refugees’ UN-sanctioned right to return to their homes and to receive just reparations.

As a promoter of peace and justice, you are a distinguished member and co-founder of the ONE Campaign to end extreme poverty in Africa. The international patron of this campaign, South African Nobel Laureate and celebrated anti-apartheid activist, Archbishop Desmond Tutu, remarked[8] that “the end of apartheid stands as one of the crowning accomplishments of the past century, but we would not have succeeded without the help of international pressure– in particular the divestment movement of the 1980s…a similar movement has taken shape, this time aiming at an end to the Israeli occupation.” He concluded that “if apartheid ended, so can this occupation, but the moral force and international pressure will have to be just as determined. The current divestment effort is the first, though certainly not the only, necessary move in that direction.”

We urge you to heed the wise words of Archbishop Tutu and to honor the Palestinian Call. Your performance in Israel would be tantamount to having performed in Sun City during South Africa’s apartheid era, in violation of the international boycott unanimously endorsed by the oppressed South African majority. We call on you not to entertain Israeli Apartheid!

[1] http://pacbi.org/etemplate.php?id=674&key=bono

[2] http://pacbi.org/etemplate.php?id=66

[3] http://www.ochaopt.org/gazacrisis/index.php?section=3

[4] Ilan Pappe, The Ethnic Cleansing of Palestine. Oxford: Oneworld Publications, 2007.

[5] http://www2.ohchr.org/english/bodies/hrcouncil/docs/12session/A-HRC-12-48.pdf

[6] http://www.nytimes.com/2010/01/03/opinion/03bono.html?pagewanted=3

[7] http://www.amnesty.org/en/news-and-updates/news/israeli-detention-palestinian-activists-must-end-20100108

[8] http://www.counterpunch.org/tutu1017.html