29th June 2015 | Freedom Flotilla Coalition | International Waters, off the coast of Occupied Palestine
At 02:06AM today (Gaza time) the “Marianne” contacted Freedom Flotilla Coalition (FFC) and informed us that three boats of the Israeli navy had surrounded her in international waters, while sailing approximately 100NM from Gaza coast. After that we lost contact with the “Marianne” and at 05:11AM (Gaza time) the IDF announced that they had “visited and searched” Marianne. They had captured the boat and detained all on board “in international waters” as they admitted themselves. The only positive content in the IDF announcement was that they still recognize that there is a naval blockade of Gaza, despite Netanyahu’s government recent denial that one exists.
We have no reason to believe that Marianne’s capture was “uneventful”, because the last time the IDF said something like that, in 2012, the people on board the “Estelle” were badly tasered and beaten with clubs. Back in 2010, ten passengers of Mavi Marmara were murdered by the IDF during a similar operation in international waters.
It is disappointing that the Israeli government chose to continue the absolutely fruitless policy of “no tolerance”, meaning it will continue to enforce an inhumane and illegal collective punishment against 1.8 million Palestinians in Gaza. Israel’s repeated acts of state piracy in international waters are worrying signs that the occupation and blockade policy extends to the entire eastern Mediterranean. We demand that the Israeli government cease and desist the illegal detainment of peaceful civilians travelling in international waters in support of humanitarian aid.
We call on our governments to ensure that all passengers and crew from the “Marianne” are safe, and to strongly protest against the violation of international maritime law by the Israeli state. We call on all civil society organizations to condemn the actions of Israel. People all over the world will continue to respond and react to this injustice, as will we, until the port of Gaza is open and the siege and occupation is ended.
UN spurns Palestinian children
Ban Ki-moon’s decision not to include Israel on the list of violators of children’s rights twists the knife in the heart of every Palestinian parent, making it very clear that in the eyes of the United Nations, Palestinian children’s lives don’t count.
When a military with the most sophisticated and accurate weaponry on the planet can kill more than 500 children in cold blood with complete impunity, as Israel’s absence from the list shows, it reveals more than just the complete disregard for Palestinian lives that has become so commonplace in the halls of power. It also makes it abundantly clear that the UN, the single most important international organisation charged with protecting the lives of the most vulnerable, is failing spectacularly.
Children are the lifeblood of the future. How can any world citizen look at the Convention on the Rights of the Child, the Palestinian child death toll from the 2014 Israeli aggression, and this decision, and not be appalled?
At best it reflects the paucity of responsible leadership evident in the UN under Ban Ki-moon’s secretaryship, which has seen public faith in the international organisation reach an all-time low.
At worst it underlines the gross politicisation of an organisation purporting to uphold the rights of ALL humans – and failing.
The only way Ban Ki-moon’s decision – if not his entire leadership in relation to the Palestinian issue – can be called a success is if the intention is to ‘grow’ a generation of increasingly angry cynics with no respect for the abject hypocrisy emanating from Geneva and New York.
Hemaya expresses its utmost disappointment in the attitude to Palestinian children that the decision represents, and calls on human rights bodies and concerned citizens everywhere to roundly reject it by supporting and valuing those Palestinian children who survived, and who continue to suffer under illegal occupation, repression and siege.
Marianne of Gothenburg will leave her home port at 7 pm on the 10 of May. The trawler, which has been acquired by Ship to Gaza Sweden and Ship to Gaza Norway jointly, departs for a voyage of almost 5000 nautical miles to eastern Mediterranean and the blockaded Gaza Strip.
Marianne of Gothenburg
Marianne will join other ships and together they will form the “Freedom Flotilla III” in order to perform a peaceful, nonviolent action to break the illegal and inhumane blockade of the Gaza Strip.
In passing Marianne will call at European ports for manifestations against the blockade. The First three ports will be Helsingborg, Malmö and Copenhagen. The subsequent ports will be announced in press releases.
Cargo
Marianne is not a cargo-ship, but she will bring a limited cargo of, among other things, solar cell panels and medical equipment.
The solar cell panels are a gift from ETC-El. In the blockaded Gaza Strip, where the infrastructure has been demolished, solar cells will thus provide an opportunity to independent local production of clean energy. The sun can not be blockaded.
Delegates
In addition to a crew of five people, Marianne will have up to eight delegates as passengers in each section of the route. The names of these individuals will be announced as time progress. In the first section are among others:
Maria Svensson, pro. tem. spokesperson, Feministiskt initiativ
Mikael M Karlsson, Chairperson, Ship to Gaza Sweden
Henry Ascher, professor of Public Health, paediatrician
Lennart Berggren, filmmaker
Dror Feiler, musician, spokesperson of Ship to Gaza
30th April 2015 | International Solidarity Movement – support group | Czech Republic
Prominent figures of Czech political and public life call on the organizers of Pilsen 2015 to step down as hosts of the Days of Jerusalem festival.
The Days of Jerusalem festival is taking place in the city of Pilsen as part of the European Capital of Culture 2015 initiative this year. It will occur between the 18th and 21st of June and its subsequent activities will echo throughout Prague, on the 22nd and 23rd of June. In response, civil initiatives engaged in dealing with the issue of occupation of Palestine wrote an open letter to the organizers of Pilsen 2015, requesting that they step down as hosts of this festival.
Journalist and formerly incarcerated dissident, Petr Uhl; former foreign minister and former President of the United Nations General Assembly, Jan Kavan; vice-chairman of the Green Movement, Tomáš Tožička; politician and journalist, Matěj Stropnický; philosopher and political activist, Ivan Bartoš; politician and professor, Šádí Shanaáh; poet and author, Milan Kohout, and many others upheld the call with their signatures, which reads, in part:
“The Days of Jerusalem event is part of a political strategy through which the State of Israel seeks to secure legitimation of its illegal annexation of Jerusalem. This is further supported by the fact that several Israeli government agencies will partake in the festival’s organization. Thus, via the festival Days of Jerusalem, the Czech public is misinformed and deliberately dragged into a highly controversial political game in which your event – Pilsen 2015 – is nothing more than another playing field.”
“…The organizers of Pilsen 2015 have an obligation to the Czech public. The public has the right to be well informed and not be manipulated by one side. Other countries in Europe are aware of this obligation.”
Contacts for media:
Zdeněk Jehlička (Initiative Not in Our Name! – For a Just Peace in the Middle East)
tel. no.: +420 603 369 574, email: nenasimjmenem@gmail.com | ism-czech.org
20th April 2015 | Frida and Jenny | Jenin, Occupied Palestine
The room was overflowing with people who had come to witness the opening of the play The Siege. Pushing our way through the throng we managed to find some seats, squashed in the middle of a diverse and lively audience. We were sitting in the Freedom Theatre, a Palestinian community-based theatre and cultural centre located in Jenin Refugee Camp in the northern part of the West Bank. Started in 2006, the theatre’s aim is to generate cultural resistance through the field of popular culture and art as a catalyst for social change in the occupied Palestinian territories. So, after two months of rehearsals, they were finally ready to show us their eagerly anticipated new play.
Poster for the play – The Freedom Theatre
The day started off with a theatrical memorial for Juliano Mer-Khamis, one of the founders of the Theatre School who was shot and killed in 2011 by a masked gunman. We then watched Journey of a Freedom Fighter; a documentary that recounts the story of Rabea Turkman, a talented student of the theatre who turned from armed resistance to cultural resistance. He was subsequently shot by the Israeli army and died a few years later as a result of his injuries.
Inspired by the true story of a group of freedom fighters, now exiled across Europe and Gaza, The Siege tells of a moment in history that took place during the height of the second intifada in 2002. The Israeli army had surrounded Bethlehem from the air and on land with snipers, helicopters and tanks, blocking all individuals and goods from coming in or out. For 39 days, people were living under curfew and on rations, with their supply of water cut and little access to electricity. Along with hundreds of other Palestinians, monks, nuns and ten activists from the International Solidarity Movement, these five freedom fighters took refuge in the Church of the Nativity, one of the holiest sites in the world.
Scene from the play – photo by ISM
The play gives some insight into what it was like to be trapped inside the church, surviving on so little, with the smell of decaying dead bodies in the building, shot by Israeli snipers. It brings out the hard choice they were faced with between surrendering or resisting until the end. However, no matter what they chose, they were given no other option than to leave behind their family and homeland for ever, as all the freedom fighters – in reality 39 – were deported and have not been able to come back since.
The play exceeded all expectations! Everyone seemed amazed by what they had just witnessed. We talked with Osama, a student and a friend from the Freedom Theatre School who was brought up in Al Azzeh refugee camp, in Bethlehem. His words were lost in the power of his emotion. “I would have loved to play in that show!”, he finally managed to share. Only 12 at the time when the tanks entered his city, the show related so much to his childhood and brought back many memories of that time in his life. He recounts how the loud bang, heard at the start of the play, was a reenactment of the shot that had pierced the city’s water tank. This sound is still strongly engrained in his mind as it was the start of the long and difficult days that the inhabitants were about to face. “We are under occupation, but we are not weak. We stand up with what we can, be it our bodies, our voices or our guns!” – Osama believes in armed resistance as one of many ways to fight the occupation. And as an actor, it is important for him to represent these resisters in “another way, a good way. We die because we want to live!”
Alaa Shehada, the assistant director of the play, explained a bit about the making of The Siege. During their research period, they had gone over to Europe and interviewed 13 refugees in order to hear their stories first hand. They even managed to get an interview with one of the 26 refugees in Gaza. He explained how this story is not just about what happened during 2002, but is a microcosm of the whole Palestinian struggle. It reveals the continuous Israeli propaganda that has been going on since 1948, representing the Palestinians as terrorists through false accusations. In this particular situation, the Israeli army blamed the fighters for having attacked the church and holding the monks inside it. This has later been proven to be a lie. The truth being that the monks had allowed the fighters in and they were working together during the whole time of the siege. Ultimately, during the 67 years of Israeli occupation, even with the whole world watching, there has been no justice for the Palestinian people. 50% of Palestinians are refugees from their own country and still have not been given the right to return.
Alaa Shehada, assistant director of the play – photo by ISM
At the Freedom Theatre, Cultural Resistance is their way of defying the occupation. Ahmed Jamil Tobassi, one of the actors from the show, explained that among many other things, theatre creates a context that can support other forms of resistance. It revives stories, gives people a way of expressing themselves and ultimately frees the mind. The idea of cultural resistance is to work alongside other forms of resistance, not against. Yet “if you cannot start by deconstructing the occupation within yourself, how are you going to be able to free the country from the bigger, external occupation?” argues Jonatan Stanczak, managing director of the Theatre.
During the months of May and June, this play will be touring the United Kingdom, a country the theatre group has not yet been too. It is also as a message for the British to take responsibility for their prominent role in the ethnic cleansing of Palestinians and the ongoing occupation.
